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03-31-11: A 2011 Interview with Joe Mathews and Mark Paul


"...signature companies are beginning to hire much more aggressive people.."
—Joe Mathews

"We allow people to write policies into the Constitution, to make them even harder to change..."
—Mark Paul

It's easy to get caught up in the details. The details have damned and condemned California to a financial underworld in which the richest and potentially most powerful state is reduced to being a debt-ridden pauper. There's a virtue in understanding them, which is why a book like 'California Crackup: How Reform Broke the Golden State and How We Can Fix It' is so important. But when you have access to the authors, you have more than the details; you have their source.

When I got Joe Mathews and Mark Paul to come to KUSP and talk to me, I wanted to make sure my listeners got the gist of what they explained in the book, while still preserving the reading experience. This is a book that deserves to be both bought and read; both actions are essential to getting the most out of it. If you buy it, you have literally invested in understanding how government works. Once you make that investment, reading the book, actually inputting those words into your mind, one after another, really helps cement what the authors are talking about. It's a complicated picture.

In my conversation with them, I tried to get the overview from the writers, so that readers could know what they're in for, which is a rich a rewarding read. But I also wanted to talk about the process of creating such work. Though this is a work of political theory and advice, it is also a literary artifact. As such, it earns and deserves respect. Putting together a work like this in a collaborative effort requires a creative approach. You can hear how Joe Mathews and Mark Paul understand California's problems and how they wrote the book by following this link to the MP3 audio file.



03-30-11: Anne Harris Reads at SF in SF on February 12, 2011


"This is a transgender class-warfare romance."

—"Anne Harris"

Sometimes you get more than you'd expect from a single writer. In these days when YA fiction seems de rigeur, especially in the world of genre fiction, writers try to keep the channels clear, the visions straight. And thus, when Anne Harris appeared at SF in SF on February 12, 2011, those fortunate enough to attend, got not one writer, but three.

As Anne Harris, her novel 'Accidental Creatures' won the first Spectrum Award for a science fiction novel dealing with LGBT characters, themes and issues. Anne Harris subsequently published 'The Nature of Smoke,' 'Inventing Memory.' Not a bad resume for any author.

But there's more. As Pearl North, she wrote the YA novel 'Libyrinth,' a novel that is absolutely designed to appeal to readers by virtue of its premise; the main character is Haly, who hears the voices of books, and is drawn into a conflict with the Singers as a result. The newest book in the series, 'The Boy from Ilysies' is now out and a third book completing the trilogy is in the works.

Then, because two names are apparently not enough, as Jessica Freely she writes Friskbisket Blog she writes erotic romance ebooks. Clearly a very busy writer!

For this entry into the SF in SF series, Anne Harris reads as Pearl North from 'The Boy From Ilysies.' Then Anne Harris reads a couple of scenes as Jessica Freely from 'Amaranth and Ash,' which she describes as a "transgender class-warfare romance." Are you hearing the voices in your head yet? Better still, are you listening to them? You can hear voices from books by following this link to the MP3 audio file.



03-29-11: Terry Bisson, Ann Harris (aka Pearl North) and Lucy Jane Bledsoe at SF in SF on February 12, 2011


"...the people who go there, pretty much to a person, are passionate about their lives..."

—Lucy Jane Bledsoe

What do you get when you put an Antarctic explorer / reporter, a wildly outrageous blogger and a respected science fiction writer in front of three microphones? The short answer is, listen and find out.

And having given a long answer to a question nobody asked, I'm inclined to the short answer, but I'll give a bit of detail anyway. Bisson and Bledsoe and Harris jumped into a three-point conversation with lots more than three points. For all the guaranteed goodness at such a reading, the real magic happens when you put three writer together with a smart audience and let one question lead to another.

Terry Bisson opened up the panel to audience questions pretty much right off the bat when he had Ann Harris and Lucy Jane Bledsoe to speak at SF in SF, and the gender questions were not surprisingly in the forefront. But there's a lot more than gender and trans-gender equality to talk about with Harris and Bledsoe. The whole idea of openness and acceptance quickly steps up to the table. You can step up and listen to the long questions, short answers and everything in-between by following this link to the MP3 audio file.



03-28-11: Jasper Fforde Live at the Capitola Book Café on March 12, 2011

You can always click on the image to reach the audio link

Ten Rules for Writing

When I first told Capitola Book Café that I had snagged Jasper Fforde as a guest for the March version of The Agony Column Live, they were concerned. "Are you sure you can keep up with him, Rick?" I was asked. "He's kind of like a stand-up comedian." "Kind of?" I replied. "He's smarter and faster than most comedians — and funnier." Left unsaid was, "That just makes my job all the easier."

And, as those who were there can attest, my job, as it were, was incredibly easy. It was really a joy to see Jasper again, and the standing-room-only crowd at the Capitola Book Café seemed to agree. I have to say that it was kind of like a peculiar version of a homecoming. And not least, because Jasper and I once again found ourselves talking about a Thursday Next novel.

For me the homecoming aspect is that Jasper Fforde's 'The Eyre Affair' was one of the incept points for this column ten years ago. In honor of the first place I found the book mentioned, I called up Michael over at Legends Books and ordered some Fforde limiteds. The joy of discovering a book like 'The Eyre Affair' was one of the drivers that has kept me writing, interviewing and podcasting for nearly ten years. I remember hesitantly approaching him at this first appearance in the US, and our many conversations since.

This time around, we talked first about his newest book, and the Thursday Next series. Even though he's been writing the series for ten years, he still manages to have a fresh approach. His comment on why he revised, as it were, Bookworld, is priceless.

Now, our conversation might not have run its course in a reasonable amount of time, so I did eventually turn it over to the audience and insisting, for the most part, on a decorous approach that asked them to queue up and approach the microphone. That yielded some of the best material, including a wonderful ten rules for writers, which you'll hear if you follow this link to the MP3 audio file.



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